CM 100 Sound Module

Since 1996, Viscount has had a development programme examining in detail how flue and reed pipes ‘behave’ in a pipe chamber. In particular, how they interact when played together. Our mission has been accomplished and this knowledge has been incorporated in the new ACCUPIPE technology, which provides the facility to adjust every parameter in each pipe.

The complete ACCUPIPE algorithm is dedicated to producing the most accurate ensemble as well as each individual solo voice. This gives the instrument an extraordinary natural feel, similar to that of a good pipe organ.

Viscount is the first digital organ manufacturer to introduce an expander module of this quality and realism. ACCUPIPE has been patented by our laboratories.
The CM 100 can be used to play music from any period because all the parameters can be easily adjusted. It is the ultimate add-on for all types of classical organ installation :– a church (both pipe and digital organs), school, concert hall, recording studio, or the home.

For the first time, it is now possible to have organ voices designed, as the pipemaker would build his pipes. Each sound is created and voiced to suit the acoustics of a building or to blend with an existing instrument. The voices in the CM 100 have been created (NOT pre-recorded) using the pipe construction details :- materials (wood or metal), air pressure, scaling etc. Methods hitherto associated with the world’s finest pipemakers.

The CM 100 can be voiced and tonally finished to blend with existing pipes, or to integrate with a digital organ. It is controlled through MIDI and can be used to reinforce underpowered reeds, add additional stops (on all departments), or to create a ‘floating’ division. Audio outputs enable up to six channels of amplification and speakers to be connected to the module. The controls allow each stop to be routed via suitable channels, to generate wind-chest layouts for each pipe rank.

The CM 100 is the best choice for the professional musician who requires the sound of a traditional pipe organ for his work – particularly where space is limited in a recording studio or home.

There are no frequencies or sampling rates quoted in the specification. The CM 100 does NOT reproduce what has been programmed in a laboratory. It creates the sounds YOU wish to hear !